The relationship between organoids and sound frequencies is a cutting-edge field of research that ranges from biological stimulation to non-invasive diagnostics. This musical experiment focuses on sound research and the digitization and relationship between real and virtual, cloud and hard drive, using computer memory as an extension of brain synapses, as well as the widespread use of contemporary music information sharing systems. It employs an assimilative model approach that tends to empathize with the needs of in-depth research into the relationship between organic and artificial intelligence. It utilizes deep immersion and identification with the sounds of experimental online music, employing methods of cognitive psychology and intuitively drawing inspiration from the Stanisłwskiy method and Gustav Jung's experiments with the unconscious. This is a metaphysical work searching for compatible sounds for the creation of a science fiction feature film aimed at a logical hypothesis on the fate of humanity and general intelligence.